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The Reversal In FilmMaking

Writer's picture: Shaurav Kumar ThakurShaurav Kumar Thakur

The world of filmmaking has undergone a fascinating transformation in recent years. With the rise of digital technology, it seemed that the future of filmmaking was all about pushing the boundaries of what was possible with computer-generated imagery and special effects. However, there is now a growing movement within the industry that is embracing the past and looking back to the traditional methods of filmmaking. This reversal in filmmaking can be seen in a number of different areas. Firstly, there is a renewed interest in practical effects and physical props. In the past, filmmakers relied heavily on practical effects to create the illusions they needed on screen. However, with the rise of digital technology, many of these practical effects were replaced with CGI. While CGI can certainly create impressive visuals, it can also be expensive and time-consuming to produce. As a result, many filmmakers are now returning to practical effects, using physical props and prosthetics to create more realistic and tangible effects. In addition to this, there is also a growing trend toward shooting on film. In the past, the vast majority of films were shot on film, but with the advent of digital cameras, more and more filmmakers have been choosing to shoot digitally. However, there is now a growing movement of filmmakers who are returning to film, citing the unique texture and quality that film provides. Shooting on film can also be seen as a way to slow down the filmmaking process and focus on getting the shot right the first time, rather than relying on the ability to fix mistakes in post-production. Another area where traditional filmmaking is being embraced is in the use of practical lighting. In the past, lighting was often done using physical lights and practical effects, such as smoke and mirrors. However, with the rise of digital technology, lighting has often been done in post-production using CGI. This has led to a certain homogeneity in the look of many films, as the same lighting effects are applied to multiple scenes. However, many filmmakers are now returning to practical lighting, using physical lights and practical effects to create unique and striking visuals. Ultimately, the reversal in filmmaking can be seen as a desire to return to a more hands-on approach to filmmaking. By embracing traditional techniques and methods, filmmakers are able to create a more tactile and visceral experience for audiences. While digital technology certainly has its place in modern filmmaking, it is heartening to see that many filmmakers are looking back to the past in order to create something new and exciting.


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